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Wright added that from his perspective, he always felt very “affected” by the idea of “the tragic left turn.” “With women in the '60s, there's a lot of talk about how great the fashion was and that comes around every few years, and everyone obsesses over it, but you don’t think about the fact that women couldn’t even have their own credit card in the '60s." “Putting in that very real fear, I thought, was a stroke of genius and I very much want to be part of it.” “I think really good horror, or thriller, should tap into real fears and I can't think of anything more frightening than the patriarchy or exploitation of women,” she said. In tandem with that idea, Last Night in Soho also tackles the exploitation of women and the history of misogyny in society, something that Wilson-Cairns believes strengthens the film’s horror theme, while also being a sort of cultural commentary.
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“I always grew up sort of obsessed with the '60s but then when you start to look into it more, you realize that what you're usually presented with is just sort of the best of what happened… A lot of the movie is me trying to sort of cure myself of my own obsessions.” “People talk about, ‘oh the good old days,’ as if there’s some magical decade where everything was perfect and nothing bad happened and of course, that's just a fallacy,” Wright told Yahoo Canada. “Then we went on a night out where I took to some of the seedy bars that bartenders go to and Edgar actually told me the story from this dingy basement bar, and I was just totally and utterly entranced.” “We were having dinner opposite a strip club that I used to live above.and we started talking about just our mutual love for Soho because it's such a specific place, it's the centre of the entertainment industry but it’s also very seedy,” Wilson-Cairns told Yahoo Canada.
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Wright actually started to develop the idea for Last Night in Soho more than a decade ago and walked co-writer Krysty Wilson-Cairns through the story on a night out in London's Soho neighbourhood. 29) is a departure from Edgar Wright’s previous movies, including the cult classic Cornetto trilogy ( Shaun of the Dead, Hot Fuzz and The World's End), this film transports you into the enticing world of 1960s London, with actors Thomasin McKenzie, Anya Taylor-Joy and Matt Smith guiding us through this mysterious journey. While Last Night in Soho (in theatres Oct.